A Digital Media Net Newsletter For the Broadcast Industry
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November 11 2003
Broadcast Industry
News:

Tandberg Television Intros Content Security for TV over IP
iTTV delivery platform capable of integrating conditional access systems to protect content and enable broadband video business models

Utah Scientific Introduces SqueezeMAX for Master Control Effects and Graphics
New digital master control effects and graphics system offers flexible channel branding capabilities

MicroDisplay Corporation Intros 1920x1080 Single Panel LCOS
E-HD Microdisplay More Than Doubles the Resolution for High-Definition TV

VBrick Systems Introduces EtherneTV Digital Video Distribution System
Scalable and Open Standards-Based Technology Meets Explosive Demand for Simplified Video on Demand

Laird Announces WaveShot Wireless Monitoring System for DV Camera Production
Integrated miniature on-camera wireless video transmitting system with built-in camera battery clip

Tut Systems Highlights Digital TV Platform and Partners at TelcoTV 2003 Conference
Tut Feeds Video to 9 Partner Booths, Demonstrating Network and Protocol Flexibility for Telcos Delivering Broadcast TV

Thomson Inks $13.1 Million Euro Deal with ESPN to Outfit New HD Broadcast Center
Worldwide Sports Network to Use Switchers, Cameras, Routing Systems, Modular Products for All-HD Distribution and ESPN HD Channel

Path 1 Showcases Video-Over-IP at SMPTE Conference
Cx1000 Gateway Highlighted at SMPTE Show

FCC Adopts Anti-Piracy Protection For Digital TV
Broadcast Flag Prevents Mass Internet Distribution; Consumer Copying Not Affected; No New Equipment Needed

SGI Delivers Precision Imaging with ViewSonic 9.2 Mega Pixel Display
SGI Integrates Silicon Graphics Onyx4 UltimateVision and Silicon Graphics Tezro Rackmount Workstation with ViewSonic VP2290b


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Go Green
Why using green works better for DV

At least once a week in one of the many user groups out there, someone inevitably asks, “What is the best background for my chroma key shoot – blue or green?” If you are shooting on DV, then I say go green, you’ll have better luck.

TrendWatch Fast Fact: Radio Taking Bite Out Of Stations’ Ad Revenues
Radio Seen As Competitive Challenge By Stations

In this weekly quick feature, TrendWatch founding partner Jim Whittington offers you interesting factoids based on market research from the broadcast and graphics industry. This week, see how broadcast and cable systems are looking over their collective shoulders at radio stations. And, in a bonus Fast Fact, find out how audio recording/mixing studios are structured.




You Can Take It With You
Plug it in, plug it in – 256MB of on-the-go storage for $100

Sometimes it’s the little things that can make all the difference. Verbatim’s Store ‘n’ Go USB 2.0 drive might qualify as such, because it can store a tremendous amount of data on a thumb-sized trinket that you can use as a keyring. We tested the 256MB model ($100 street) and found it to be a handy little device.

Pixel Post Studios Tools for Television Pro
Automation utility package for Adobe Photoshop

If you build graphics for broadcast, it's almost certain that Adobe Photoshop is a big part of your workflow. Nevertheless, as widespread as Photoshop is in television--and video in general, for that matter--it still leaves something to be desired in the area of workflow, particularly when it comes to repetitive tasks common to video production. Enter Tools for Television Pro from Pixel Post Studios.

T2
Time Lapse with Adobe Premiere 6.5

While Premiere Pro may be the bee’s knees for editors who are eager to take advantage of some of the higher functions of the inexpensive non-linear editing system, Adobe has taken out one of the features that made Premiere a fun program to use. With the built in Stop Motion Capture feature of previous versions, the ability to capture time-lapse video directly from your DV camera was great. If you still have a copy of Premiere 6.5 sitting around, you may want to keep a copy on your system for just this reason.



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