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Broadcast Industry
News:
• Avid Ships OS X Systems
Symphony 4.7 among new releases
• HDNet Selects PanAmSat for Satellite Delivery of HDTV Programming to Cable and DBS Providers Throughout North America
HDTV Programmer to Extend its Reach using PanAmSat's Galaxy Satellite Neighborhood
• Thomson Acquires Major Los Angeles Audio Facilities
• PBS Launches Second Campaign on TiVo Showcases
PBS Creates TiVo Showcase to Build Audience for New, Existing Programs Through Opt-in Promotional Content
• Sonic MyDVD Wins Best Product of the Year Award
• Canon Intros New Optura DV Cameras
Optura models also offer still image capabilities
• Record Attendance Attained at HD Expo
Exhibitors Announce High-Def Mardi Gras
• PBS Children's Program Host Fred Rogers Dies
PBS releases statement mourning hall-of-fame broadcaster
• Thomson Launches Projects for the Delivery of Television Over ADSL
Thomson is at the heart of projects for the distribution of content and services over ADSL networks
• ABS-CBN International Expands Satellite Programming With Irdeto M-Crypt
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Communicate with shooters so you won't be saying this during your edit sessions
If you've been editing video for a while, or even for a few minutes, you can vouch for the truth of that old saying, "garbage in/garbage out" (GIGO). If the footage isn't there, you could be in store for an edit session that could be characterized as The Day From Hell. In this editorial/tutorial, let's take a look at ways to avoid this dreaded situation.
Music videos revolutionized the music industry in the early 80’s with the explosion of MTV and VH-1 making their broad stroke on the cable scene. Most large-arena bands such as Quiet Riot, Poison, and even Yanni made their careers entirely based on the quality and visuals that accompanied their music. More importantly, a music video allows the musician to more capably express their vision and meaning behind a particular song. With more and more musicians coming into the new revolution of desktop audio and video production, it can be safely assumed that a new musical revolution is just beginning. In this tutorial, Douglas Spotted Eagle gives a quick demonstration of the making of a current music video.
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A few years ago, turnkey video editing systems belonged to the realm of the specialized reseller. Today, you can get such a system from a variety of sources, including the major computer manufacturers. One such company, Gateway, has set its sights on this market with the latest Digital Film Maker series of DV workstations. The latest system, the 700XL is the company's top of the line system, targeted at the budding digital filmmaker.
Move Over, Ken Burns: StageTools MovingPicture Tops Imaginate
If you're looking to add a professional touch to a sequence of stills, it's easier to do than ever. A few weeks ago, I reviewed a fine application by Canopus called Imaginate, which does a great job of executing all kinds of camera moves on high resolution stills. StageTools MovingPicture version 4.4 even tops that. I took a look at the stand-alone MovingPicture Producer ($199, $69 for the rotation option), and one of the numerous plug-ins of the same application, this one for Adobe Premiere, and was quite pleased with the results.
They Also Don’t Know If They Will Upgrade
In this weekly quick feature, TrendWatch founding partner Jim Whittington offers you interesting factoids based on market research from the broadcast and graphics industry. This week, see how TV stations are sticking with what works when it comes to computer operating systems.
We're Looking for DMN Forum Champions!
We are working on on adding new leaders to the DMN Forum's host panel to help champion our forums. If you know of someone who'd be a great addition to the DMN Forum team -- or if you yourself would like to join our team -- please contact us. webmaster@digitalmedianet.com
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