A Digital Media Net Newsletter For the Broadcast Industry
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July 30 2002
Broadcast Industry
News:

Media.net Gives Hollywood Tomorrow's Dailies Today
Online Service Puts Australia And New Zealand In Hollywood Time Zone

Telegen Receives U.S. Patent for High Gain Emissive Display (HGED) Technology
Technology may provide the basis for a full color sunlight-readable for small and larger displays for information and entertainment products

Avid Technology's Broadcast Division Closes Deal with Univision's KMEX-TV
KMEX-TV Outfits its Next-Generation Newsroom with Avid Systems

Rorke Data Launches ImageSAN
Product Roll-out Aimed at Post-Production & Broadcast Markets

Pinnacle Systems to Provide Vortex News Solutions to CNN


WSNet's "Advanced Digital Cable" to Help Rural Cable Operators
Affordable new technology offers the necessary tools to succeed

SAMPO Announces 42-Inch HDTV-Ready Plasma TV
New Model Powered by Trident's DPTV3D

Three-Five Systems Intros Near-to-Eye Microdisplays
Tiny liquid crystal on silicon microdisplays designed for new markets such as HDTV

Quantel Releases Version 1.3 Software for iQ and eQ
Major release adds new tools and boosts workflow for generationQ products

PrediWave Unveils New Personalized Interactive TV Channel
"MyTV" Content Delivery System Enables Multiple Subscribers In One Household To Create Individual Repositories Of Their Favorite TV Programming


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Canopus ProCoder: Multitasking In and Out
New compression software blasts onto the scene with innovative new features

Canopus has released ProCoder, a Windows software application that can take almost any video file and compress it into almost any other type of video file. But that's not all. It can take lots of different types of video files and turn them into lots of other types of video files, too -- all at the same time. It's remarkable, and sends a signal to its main competitor, Discreet's Cleaner, that there's a new kid on the block who's capable of lots more tricks for the same $699.

How To Set Up an After Effects Render Farm
The cheap and easy way to get the most out of the After Effects Production Bundle

If you're using Adobe After Effects on a Mac, no doubt you've taken note of the debate currently raging here at Digital Media Net. Do you favor the Mac's workflow and functionality, or do you favor the PC's render speeds? Well, with an After Effects render farm, you can take advantage of both, using the Mac on the front end and multiple PCs and/or Macs on the back end to help improve your render times significantly with very little additional processing power.

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Coolness Roundup: The Well-Appointed Edit Suite
Bi-Annual Product Suggestions to Make Your Editing Life Easier

We're in the middle of the dog days of summer, and we could use some cooling off. So it's time for our twice-annual special Coolness Roundup: Suggestions for a well-appointed personal edit suite that's not only efficient, but comfortable as well. We'll show you the products that have made our lives easier here at the Midwest Test Facility -- some have a lot to do with editing, and a few just make the hard work a little easier. And some, well, they're just fun and we wanted you to know about them.

The Foundry's Tinderbox 3
Plugin effects for Adobe After Effects

What stands out in my mind about The Foundry's products to date is not so much the variety of the tools (though there is plenty of variety) but the quality. The Foundry is, above all, a developer dedicated to the professional video industry, and their effects plugins reflect this not only in terms of the tools they choose to develop, but also in terms of functionality and, maybe more importantly, the final result.

Finish Uses da vinci's 2K Plus Color Correction on African Documentary Spanning 50 Years
Project is life work of director John Marshall
da vinci Systems, Inc. today announced that Boston-based post-production house Finish has used its new da vinci 2K Plus system to complete color correction on a documentary recording more than half a century in the life of one extended family in Southwest Africa (now Namibia). Colorists at Finish used the 2K Plus real-time image processor for the final color enhancements on the documentary project, which began in 1950 and concluded in 2001 with more than a million feet of film and thousands of hours of video.

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