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Broadcast Industry News:
DemoGraFX to Preview Its Precision Video Architecture at NAB 2002
Ligos Ships New Version of GoMotion MPEG
FOCUS Enhancements Announces Pro AV 1280 Pro Broadcast Quality Video Scan Converter
1394 Trade Association Sees Robust Product, Design Activity for 1394 Standard
NBC's Utah Affiliate Uses Harmonic Systems for Digital TV and Interactive Data Services Broadcasts During 2002 Winter Games
Canopus Launches ProCoder Professional Transcoding Software Tool
InPhase Technologies to Demonstrate Tapestry, First Holographic Video Recording System, At NAB 2002
RE:Vision Releases SmoothKit
C3D Demos Multilayer HDTV Discs
KLVX Launches Digital Channel 11 in Las Vegas
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Delivers 400 percent improvement over MPEG-2, according to company
Edited by Charlie White
After four years of stealth development by a handpicked team of scientists, mathematicians and engineers, Pulsent Corporation today revealed a radical new approach to video compression that finally breaks the technical and practical barriers to delivering true broadcast quality video over broadband networks.
Prices drop, barriers to entry along with them. Road to riches and success?
by Charlie White
Money makes the world go around. Or does it? Many aspiring digital video editors think if they just had $30,000, they would be able to set the world on fire with their editing prowess. Well, I have news for you: There's a digital divide, we'll call it the "digital video divide" out there, but it has less to do with money than ever before. Money can't buy talent. It can't put ideas into your head, or enlighten you with flashes of brilliance. It can't give you follow-through skills, vision, or the ability to create a masterpiece. Only you can do that. Or can you? Let's think about it. C'mon, it won't cost you a thing.
Why I'm off DSL and back to cable
by David Nagel
By this point you all know me as a reasonable man, one not prone to outbursts of emotion or spurious logic. Perhaps you see me as a peacemaker, one whose aim is always to promote harmony and spread joy among users of technology in all of its forms. Or perhaps you see me as a cool stoic--a philosopher king who's unfazed by the world's troubles. But deep within my cool, slender, handsome exterior I am, fundamentally, just a man, one prone to the same perturbations of the mind as any of you.
Real Time Effects Make New Version a Worthy Upgrade
by Charlie White
Avid Xpress DV ($1699, software only) makes the leap to real time effects in its newest iteration, version 3. Even though you'll still need to render effects when you send your final product back to DV tape, digital video editors will like the immediacy of previewing effects in real time. And, when you do need to render more complicated creations, Xpress DV 3 makes that go faster, too. Here's a review.
Using a FireWire deck to output your edited projects with pinpoint accuracy
by Lowell Kay
Most people who are using Final Cut Pro are working in mini DV or DVCam. When outputting your materials, it is a simple procedure if you have all your media online. Lowell Kay, President of the Dr. Rawstock Digital Education Center, shows you how.
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