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Date: 2010-08-25
DMN News:
DMN Newswire
RED/SCRATCH Workflow Puts Hong Place Vision at Forefront of Digital Cinema in China
Strategic Management & Opportunity Corp Gets 'Smart' With Mobile App for Flagship Suite
Splunk Customer Recognized as Innovator by CIO Magazine
Summer Belongs to USA Network
NIVS Completes Phase II Construction of Expanded Operations and Living Facilities
See the Big Picture With Imation 'Link'
TiVo and NASDAQ Partner to Enhance Visual Elements of NASDAQ MarketSite Video Wall
Cheil Worldwide Once Again Sponsor Spikes Asia Student Academy
Reportlinker Adds The Future of TV: The Evolving Broadcast and on Demand Landscape
Reportlinker Adds The US Market for OTT Video Services
ClearOne Names New Vice President of Unified Communications Sales for the Americas
Reportlinker Adds USB 2010: SuperSpeed USB Adoption Will Lag the Pace of High-Speed USB Adoption
Reportlinker Adds Worldwide Digital Set Top Box Forecast by Geographic Region 2010-2015
Ad Systems Communications, Inc. Opens Its Salt Lake City, Utah Sales Office
Kanzi' Enables Rapid Creation of 3D UIs for Android Devices
Toll Brothers Reports FY 2010 3rd Qtr and 9 Month Results
615 Music Retains Danielle Wade to Rep Extensive Production Music Catalog in United Kingdom
Chainsaw Editors Win Emmy for Editing HBO's "Rock and Roll Hall of Fame Concert"
Class on Demand Teams With Avid; Releases Media Composer Training for Apple Final Cut Pro Editors
Galaxy & Starlight Purchase China`s First DaVinci Resolve 7.0
Artistic Image Director/Editor Ken Soons Scores a Telly With Live-Action Package For TNT/LA Movie Club
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ASSIMILATE to Feature SCRATCH v5.2 Digital Post Workflows for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
SCRATCH v5.2 demos will include state-of-the-art tools for color grading, finishing, compositing, and 3D-specific features, such as convergence, scaling, and versioning. Other 3D demos will include ASSIMILATE's exclusive offering -- 3ality 3Play Pro S -- a professional quality stereo monitoring system, and developed in partnership with Telairity, the first 3D Post Remote-Review Network for simultaneous, real-time review by post houses and clients, anywhere in the world.

ASSIMILATE Helps Divizion Create a Film Factory in Poland
3D "Charnobyl 2012" Next Up at Divizion
 In less than a year since opening, Divizion has completed the DI on seven features, including "Cookie" (Ciacho), one of Poland's biggest-budget productions, directed by Patryk Vega. Next up is the big-budget, 3D stereo horror-flick "Charnobyl 2012", from the same director. Providing in-house production resources; a clutch of RED ONE(tm) cameras, with RED Epic Stage 2 plus CG coming soon; editing; and ASSIMILATE's SCRATCH(r) Digital Finishing Solution for the VFX and digital intermediates (DI).

Media Composer 5 Feature Showcase
AMA Link to
 by Kevin McAuliffe We AVid users have had a BIG problem, and that was working with footage that was not OMF or (now) MXF. Any footage that wasn't captured via the digitize tool needed to be imported and converted to either OMF or MXF, and in many cases, the process was excruciatingly long if files weren't rendered with the Avid Codec. Thankfully, with Media Composer 5, that is no longer the case.

Media Composer 5 Feature Showcase Part 2
Smart Tool
 by Kevin McAuliffe With Media Composer version 5, Avid is moving in not only a forward direction, but in a bit of a sideways direction as well. Premiere Pro CS5 and Final Cut Pro are drag-and-drop editing applications. This means that you can not only drag clips from the preview window and drop it into your timeline, but you now have an extensive amount of flexibility when dragging clips around in your timeline as well.

ASSIMILATE Congratulates Mob Scene On Golden Trailer Awards 2010
Mob Scene Creative + Productions took home three Golden Trailer Awards at the 11th Annual Golden Trailer Awards on June 10 at he the El Rey Theatre in Los Angeles. Mob Scene's tool of choice for their RED camera and 3D post workflows, color grading, and finishing is ASSIMILATE's SCRATCH Digital SCRATCH(r) Digital Finishing Solution.

Adobe CS5 and NVIDIA Quadro FX by PNY - What is your time worth?
by Tim Kolb I've been a professional graphics card user for a number of years now and have used 5 or 6 different models from the NVIDIA Quadro by PNY product line. Currently I am using two dual-head cards in one workstation, lighting up four displays. I've become absolutely addicted to the speed of visual feedback I get while working on a system with a Quadro card installed...but Adobe CS5's use of the GPU for edit effects preview changes everything.

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